Finally, the Carpenters Workshop Gallery's (Stand 303) collectible designs and creative furniture created a world of wonder and imagination in the back. Playful and inspired, the gallery drew us in with its funky collectibles and statement pieces that function both as practical interior design and artistic vessels. A particular highlight included a chunky blue standing clock. Unlike a traditional face, Maarten Baas’ CHILDREN’S CLOCK looked more adjacent to television and featured a screen that played footage of kids drawing the minute and hour hands. Filled with spontaneity, unpredictability, and imagination, the piece is part of Baas’ ever-growing interest in representing childhood joy and openness. Every minute, the child’s hand and design changes for each accompanying unit of time, making Baas’ piece a functional timepiece. 720 children were involved in the project’s creation, thus evoking 720 minutes - 12 hours. Baas’ special limited edition collection of 101 clocks is sold in various colors.

Furthermore, Aki+ Arnaud Cooren’s ISHIGAKI FLOOR LAMP #12 WHITE SNOW, 2025 created an ethereal underwater effect. Seeking to provide the illusion of experiencing ocean diving, the soft and organic lamp illuminated the colorful dream world. In an event that can lean towards esteem and stuffiness, Carpenters Workshop retained an unpretentious vibe, a playful showcase, and innovative design. Despite the tough market, the Upper East Side establishment and the international scene brought out their best and highlighted the work of several known-name figures. From rising superstars to international pioneers to underrated legends, the fair's heart belonged to female artists. While some may try to belittle their more intimate and unfussy approach, the galleries that showcased these women shone. We hope to see more of them next year.