The architect in Paris, Photographer: Carter Megalli

Person Place Thing : The Building Blocks

When a writer and architect walk into a bar around Oscar season…but in this case a very non-alcoholic zoom call, there’s no doubt the question has to pop up. Have you seen The Brutalist? Wells laughs. “Yes, I have. I actually designed A24’s office”. Of course. How original. Here I am, ready to interview architect Wells Megalli, AIA, LEED AP, and this is the question I come up with.

That being said, Wells is gracious and indulges me on the query I'm sure her entire immediate circle has asked her. Nonetheless, in Corbet’s sweeping immigrant story about a genius architect, one her favorite scenes takes place at an Italian stone quarry, where the material’s sheer magnitude takes over the screen. “It is interesting to see a film that represents us - architects. One doesn’t often see that on screen.”

Chicago Selfie, Photographer: Wells Megalli

Those last words strike a cord. It’s true. One doesn’t really see architects, do they? We pass our days walking through the altars of their meticulous decisions. Office buildings. Schools. Homes. Their viewpoints, without us possibly knowing how and why, frame the conditions in which we live. So who are these makers? Who is Wells?

One thing is for certain. Yale scholared Wells has had many lives. She’s the former tech wizard behind Earthweb Inc’s online designs in early Web1, a previous rockstar at Selldorf Architects (yes, that one), and now the cosmic force behind her own major design experiment Person Place Thing.

Unless you are in the know, you probably haven’t heard about it. Her studio Person Place Thing is an enigma. The Row is to fashion as Person Place Thing is to architecture and design. I am quick to compare the two because of their strong similarities. Both share a vision of impeccable artisan craftsmanship, high-quality materials, and bespoke design ethos. Like the Olsens’ label, Person Place Thing is also female-founded and committed to a high-end clientele, who prioritize privacy and innovation.

Left: Interiors Palette in Progress, Photographer: Vila Hanko Right: Color Tests for Art Wall, Photographer: Wells Megalli

Diving into what makes luxury, Wells emphasises that true value comes with time. There are many ready to spend double, triple even, in order to receive hand-made tiles and glassworks faster. But it's a no go. Vessels and tiles like these are haute couture, and despite her magical abilities, Wells cannot fold time and space for that.

But despite carrying two decades of experience in strategy and design, Wells noteably did not name her atelier after herself. This is an intentional choice, and funnily enough, one can learn more about Wells through her experiment than any online biography. I call it an experiment because Wells doesn’t want the atelier to be pigeonholed. Rightly so, because beyond the metrics of a standard architectural firm, her company is a multidisciplinary endeavor, covering various branches in correlation with its three pronged initiative: Person. Place. Thing.

David Zwirner Headquarters (with Selldorf Architects)

People form the foundation. As the first pillar of the studio’s ethos, Wells keeps it simple. It's self explanatory. Person is about relationships. Wells doesn’t sell her product. Her product sells. She cares about people. And they care for her in return. The design team is humanist. They seek to satisfy the client’s most obscure dreams and desires, yet also inspire and challenge clients to express themselves in new ways. Wells seeks to open that personal key with methods that extract a client’s character into form and design. Ultimately, a home and space should be a reflection of the person living in it. Through extension of her technology background, she metaphorically compares the design process to the tenets of user experience. Wells likes to think that the building of a space, for example a hotel, is similar to building a website. There is an entrance and lobby, or main page, and from there a series of other additional pages, in this case many rooms and amenities. Wells is technically aware of both the practicality and creativity needed to service the humans functioning within a microcosm and steers her ship to accomplish both with equal parts hard-earned grit and unique finesse.

Within her portfolio, Place takes precedence. Designing within the context of a certain landscape or area informs the project from start to finish. From the cut of the land or shape of the mountain, Wells takes sustainable planning and design seriously. She informs me that this outlook became rooted into her masters studies at Tulane. Preventative infrastructure for hurricanes and floods are prioritized in the South. The School of Architecture, for which she now sits on board, taught her to always consider resiliency. Harnessing the power of precautionary fundamentals, the company does its best to employ organic practices including considering building orientation, shading, wind, and sunlight. One way Wells believes that architects can make an eco-friendly difference is to express the benefits of living within sustainable structures to clients. Health is a priority to her affluent and successful clients. Convincing a consumer to take a more ecologically-friendly option is a lot easier when it is expressed to them that the choice they are making has a direct effect on their air quality. Clients appreciate high levels of engagement. Wells can offer that attention to the community with a side of - this potential implementation can do its special bit to improve our Earth. Want to try?

Left: Collage as a tool for concept design, Photographer: Wells Megalli /Right: 3D printed study model, Photographer: Wells Megalli

Just as she is always testing new ways to build a sustainable practice, Wells also thinks out of the box when it comes to, last but not least - Thing. What constitutes a Thing? Again, it's not deep, but it is impactful. A thing can have the greatest effect on a space. When people lost their homes in the LA fires in January, they mourned the loss of their things - precious pieces of their life story - burnt into ash. We can always keep past memories, but having them in tangible elements allow us to visualize and interact with them in the present. They inspire us. Wells is open to exploring it all. Art installations. Vessels. Objects d’art. Books. Incorporating books into one’s living environment is her number one tip for designing on a budget. Despite your layout, these rich-paged objects are best at showcasing who you are. Ultimately, without airing on sounding cheesy, that is what Person Place Thing is all about.

My time with Wells may have only been the slightest introduction to her character and world. But I know that under her demureness, there is a steel resolve and racing mind. Like many artists, Wells prefers to discuss the process of her craft, rather than its overt meaning. But from one creative to another, I can see she is the real deal. Though I may not have the fictional, visual tools of The Brutalist, my words on Wells are not fiction and hope to do her justice in representing her monument: Person Place Thing.

Link to the Architect:


Wells Megalli

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One Response

  1. This was a very nice article you did on Wells.
    Wells probably won’t ever remember who I am, as she saw so many Reps come through her doors, but she was always so kind and gracious me when she was at Seldorf. I will never forget that most of all, regardless of the amazing talent she possesses.
    Thank you for featuring her, and for the way you captured the essence of who she is. Well done!